How to get into orchestral music using YouTube

How to get into orchestral music using YouTube

One of the things I think we’ve all gotten wrong about “arts appreciation” for a long time is the idea that, to do it right, you need to see it live. This is because most talk about arts appreciation comes from arts organizations who need to sell tickets, and arts advocates who want to do everything they can to ensure artistic organizations don’t go under and leave cultural wastelands in their absence. Because arts administrators and advocates are people who really truly know how essential the arts are to our wellbeing, our society, and our very existence, they do everything in their power to protect the institutions that safeguard and present art to the people.

And I know some people are going to misunderstand me about this, possibly forever, so I want to be very explicit: those people are doing GOD’S WORK. Arts administrators, advocates, activists, donors, board members – you are the backbone of the world of art. You are what allows the collective body of art to live and flourish. Without you, we have no living, breathing system. We have nowhere to go, nothing to see. You are champions.

But, the problem with arts appreciation being tied to the support of institutions for the sake of keeping them alive is a bit complex. My overall theory is that the barrier to entry (that thing in your head that goes “oh boy, that seems too hard/expensive/scary for me”) for getting started with arts appreciation is too high for most people. That’s often because, when arts appreciation education is presented by an institution, it’s linked to their current offerings. Which is great! I love it! Please, please don’t stop doing this! BUT. If you don’t know anything about theatre, it’s not going to help to go to a panel discussion about aesthetics in Oscar Wilde’s plays. It’s just not.

Which brings me to classical music. You guys, my husband is a professional orchestral musician. I go to the symphony more than once a week. I go see other orchestras when I travel. I’m a raving fanatic for going to the symphony! If you’ve never been, go go go! But, why don’t we also try lowering your barrier to entry. Which is why, today I want to tell you about how awesome watching orchestral music on YouTube is…

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Why it’s okay to love the classics of fine art

Why it’s okay to love the classics of fine art

Last post, I went on a bit of a rant about why I think the canon (the most well-known works of each of the fine arts) is still absolutely essential and incredibly valuable. If you missed it, my rationale is that, (1) the works are still masterpieces – paragons of human creation – and the fact that they emerged from Patriarchal settings does not negate this; and, (2) because to understand not only these works but also the now emerging works of marginalized groups from earlier times as well as all the incredible art being made by a broadly diverse group of people today, we must understand creative lineage: we need to know who and what artists have studied and been influenced by.

So with that being said, today I want to talk about a bit of a funny topic, and I’ll start with perhaps a controversial sentence that will reveal how unfancy I really am:

I love me a novelty apron with the statue of David on it…

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10 Plays You’re VERY Likely To See, and Why You Should See Them

10 Plays You’re VERY Likely To See, and Why You Should See Them

Before I tell you about ten of the most commonly produced plays and why you should definitely take the opportunity to see one of them the next time it arises, I want to briefly talk about why I love the classics.

Those of you who have more than a beginner’s level of knowledge about music, dance, theatre, or visual art will know that there’s a huge movement underway in the arts to create more space and time for underrepresented artists – both historical and living. That means less space on concert programs and in museum square footage to what we currently consider “the canon” – the famous masters like Beethoven and Michelangelo and Balanchine who are almost all white men. I am EXTREMELY on board with this. Absolutely incredible female artists, artists of colour, gay artists, trans artists, and other historically marginalized artists have been left off everyone’s collective radar to our absolute detriment as audience members for WAY too long. By virtue of our Eurocentric, Patriarchal society, we have been denied access to some of the finest art ever created, not to mention the injustices committed against these artists, both living and dead, as well as the massive amounts of appropriation that corrupt a good chunk of the canon as well…

But – that doesn’t mean all the “classics” should go away (some people think it does; I do not think that). To me, in an ideal world, the best of the works we have pushed to the edges or lost should surface to equal prominence with those we celebrate most right now. We can only understand works of art by what came before them – what the creators would have heard, seen, and studied themselves – which is why we simply must know the canon...

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